Independent Spirit Awards – Page 2

248 – Mrs. Parker and the Vicious Circle (with Jourdain Searles!)

We are returning to the work of Jennifer Jason Leigh this week, and Jourdain Searles is joining us once again with an underrated and underseen gem. Mrs. Parker and the Vicious Circle takes on the life of indelible writer Dorothy Parker, capturing her days with the insular Algonquin Circle and her later dissolution with the group, all with Jennifer Jason Leigh as the noted wit. Launched at Cannes, the film was celebrated for her performance even with a limited audience, including Golden Globe and Independent Spirit nominations for Best Actress. But even in a famously uncompetitive Best Actress lineup, Leigh was left out.

This episode, we talk about Leigh’s several close calls for a nomination in the 1990s and our feelings about the nomination that she eventually received for The Hateful Eight. We also talk about Pulp Fiction‘s domination on the independent film scene, the Cannes Film Festival, and the influence of producer Robert Altman.

Topics also include writer/director Alan Rudolph’s filmography, the film’s massive (and nepotism baby-inflected) ensemble, and the person-not-company Condé Nast.

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228 – After Hours (with Mitchell Beaupre!)

Letterboxd senior editor and podcast co-host Mitchell Beaupre joins us this week and is bringing their favorite film along, and it’s our oldest film yet: Martin Scorsese’s After Hours. In the mid-80s Scorsese was rebounding from his closest call with Oscar yet in Raging Bull and a first attempt to make The Last Temptation of Christ falling apart. In a quick turnaround, he made what some may call his most atypical film and freaked some critics out with its dreamlike, absurd take on male ego. With Griffin Dunne leading a cast that includes a delightful female ensemble of Rosanna Arquette, Teri Garr, Linda Fiorentino, and Catherine O’Hara, the film remains one of Scorsese’s most fascinating.

This episode, we get into the film’s underrated status and the oddball first Independent Spirit Awards where the film took top honors. We also discuss the Globes Comedy races where Dunne was nominated for Best Actor, going long distances for rep screenings, and the 1986 Cannes Film Festival.

Topics also include Ordinary People beating Raging Bull, the Bridesmaids SAG drinking game, and the To Leslie Oscar season surprise campaign.

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215 – Beatriz at Dinner (with Jorge Molina)

On the eve of the return of The White Lotus, we’re taking a look at the Mike White oeuvre with returning guest Jorge Molina and 2017′s Beatriz at Dinner. Starring our beloved Salma Hayek as a holistic masseuse trapped at a toxic dinner party held by her wealthy clients, the film debuted at Sundance and was immediately viewed through the lens of our outrage and despair in the immediate aftermath of Trump’s election. The dark cringe comedy had a divisive finale but a brilliant ensemble including Connie Britton, John Lithgow, and Chloe Sevigny, with Hayek giving one of her finest performances. But the 2017 Best Actress race was highly competitive, and this summer release struggled to make an awards season comeback.

This episode, we talk about the Arteta/White partnership including White’s television output and Arteta as the quintessential journeyman director. Topics also include scrubbed John Early clips, our dreams for Hayek’s deserved awards future, and comparing Beatriz at Dinner to another 2017 film that succeeded with Oscar.

Topics also include the 2002 Best Actress nominees pitching grants, Mike White’s run on Survivor and The Amazing Race, and performing Salma in Snatch Game.

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214 – Mud (with Roxana Hadadi)

What’s better than movies like this? Guys being dudes! This week, Vulture television critic Roxana Hadadi joins us to return to the McConaissance with Jeff Nichols’ Mud. Matthew McConaughey stars as the film’s eponymous criminal who befriends a young teenager (played by Ty Sheridan) grappling with the death of his town and his parents’ divorce. The film debuted at the 2012 Cannes Film Festival while Nichols’ star was on the rise and McConaughey was mid-ascendancy, but was mildly received on the global stage. When the film was released in stateside theaters the following spring, critics were much more enthusiastic about Nichols’ take on masculinity and myth, but the film was ultimately overshadowed by McConaughey’s other Best Actor bid, Dallas Buyers Club.

This episode, we discuss the filmography of Jeff Nichols, including the divisiveness of Take Shelter’s ending and projects that almost happened. We also get into Sheridan’s career as a young actor, Matt Damon’s macho crypto ad, and the Independent Spirit Awards Robert Altman prize.

Topics also include Chris Pine nearly playing the lead, Taylor Sheridan as Nichols’ tether, and irrational fears of snakes invading our everyday lives.

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209 – A Walk on the Moon (with Tara Ariano)

This week, Tara Ariano returns to us to talk about a forgotten and quite lovely independent film from 1999, A Walk on the Moon. The first feature directed by actor Tony Goldwyn, the film stars Diane Lane as a late 1960s housewife who has a sexual awakening with a hippie blouse salesman (played by Viggo Mortensen) while vacationing with her family. With Anna Paquin and Liev Schreiber respectively as daughter and husband, the film features Woodstock and the moon landing in the background of this quite potent take on female sexuality and the effect of young parenthood. The film had a quiet spring release after debuting at Sundance, but year-end critical notices kept Lane in the awards conversation.

The film also has similar shades of what Lane would turn into an Oscar nominated role just a few years later with Unfaithful. This episode, we’ll discuss Mortensen’s deep bench of pre-LOTR roles, Happy, Texas’ famous post-Sundance financial failure, and how this film avoids the typical “Woodstock movie” trappings.

Topics also include Julie Kavner as Big Brother, gay euphemisms, and the immediate cultural impact of Ghost.

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142 – Friends with Money

This episode, we are returning to the career of the great Nicole Holofcener with 2006′s enesemble comedy Friends With Money. The film stars Jennifer Aniston as the housemaid friend to three wealthy women played by Joan Cusack, Catherine Keener, and Frances McDormand, and studies class and friendship with the kind of wit and grace that’s made Holofcener’s films so special. But despite strong notices for Aniston’s off-type performance and rising appreciation for Holofcener’s work, the film peaked with a Supporting Actress win for McDormand at the Independent Spirit Awards.

Once again, we praise the Holofcener ouevre and exhalt the Holofcener/Keener partnership. We also look at Cusack’s rare multiple comedy Oscar nominations, Aniston’s love of working with comedic actors like Adam Sandler, and McDormand going off in an Old Navy.

Topics include creative differences between Holofcener and Julianne Moore attempting to make Can You Ever Forgive Me?, films that might have overshadowed her work in their Oscar seasons, and our Holofcener rankings.

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