206 – Infamous

Before Bennett Miller’s Capote even arrived and made a steamroll Best Actor winner out of Philip Seymour Hoffman, there was an entire other Truman Capote biopic in the can. Charting the same portion of the legendary and controversial writer’s life as he wrote In Cold Blood, 2006′s Infamous cast Toby Jones as Capote along with a cast of more recognizable faces than the previous year’s version, including Sandra Bullock as Capote’s friend and confidante Harper Lee and new James Bond Daniel Craig. Despite Capote having played some of the very same film festivals, Infamous was welcomed into the fall festival season anyway. But this film’s emphasis on the high society gossip that was integral to the author’s persona wasn’t enough to distinguish this film from what came before, quickly dissolving from the season.

This episode, we unpack the unavoidable comparison’s between this biopic depiction and Miller’s film. We also have our first double Six Timers Club between Infamous supporting players Sigourney Weaver and Gwyneth Paltrow, and discuss Paltrow’s role as Not Peggy Lee, and Warner Independent’s other awards hopeful in 2006: For Your Consideration.

Topics also include Raja’s Diana Vreeland Snatch Game performance, “James Blonde”, and Parker Posey in The Staircase.

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099 – Proof

We’re looking to the stage for this week’s episode! After being awarded the Pultizer Prize for Drama, a Tony success, and two years on Broadway, Oscar obsessives looked to the big screen adaptation of Proof to continue its slew of trophies. With Gwyneth Paltrow reprising her role from the London stage (along with that production’s director and Shakespeare in Love helmer, John Madden), this intimate drama on math and madness felt like the surest of bets on paper. But Proof’s release was delayed by a year as Miramax began to fizzle, arriving on screen as an afterthought even in a Best Actress year with fewer contenders.

This week, we look back at recent adaptations of Pulitzer Prize winning plays and what has gotten lost from stage to screen. We also look at how Proof has aged over years of being over-produced, Hope Davis’s era of an expected eventual nomination, and Mary Louise Parker’s Tony win.

Topics also include Anne Heche at stage doors, the God of Carnage puke scene, and next week’s 100th episode!!

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Joe: @joereid
Chris: @chrisvfeil