Gotham Awards – This Had Oscar Buzz

266 – The Nest

We who loved his debut Martha Marcy May Marlene (see previous episode!) waited eagerly for director Sean Durkin’s follow-up feature while he worked in television and produced other films. That sophomore feature came almost a decade later with The Nest. Starring Carrie Coon and Jude Law, the film follows a married couple who move to England to follow the husband’s finance career, only to quickly get consumed by financial woes. The film also returned Durkin to the Sundance Film Festival… and then the pandemic happened.

This episode, we talk about Durkin’s upcoming The Iron Claw and Carrie Coon’s work in theatre and on The Leftovers. We also discuss how the film dabbles delicately in psychological horror, Jude Law’s playing pathetic men to perfection, and the 2020 Sundance Film Festival lineup.

Topics also include the National Board of Review’s Top 10 Independent Films of 2020, Durkin’s work on Dead Ringers, and IFC Films.

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261 – Hereditary

Happy Halloween, listeners! Naturally, this week we are returning to the shallow well of horror films that made it into the Oscar hunt with a recent highly debated and lauded terrifier. In 2018, Ari Aster made his feature debut at Sundance with Hereditary, the story of a family invaded from within by a demon worshipping cult. Aster’s bizarre vision quickly earned the film a reputation as one of the scariest ever made, but Toni Collette’s performance as a terrified and grieving mother received some career-best notices and feverish hopes that she could crack the Best Actress lineup. As you might expect, Hereditary was simply too much for the Academy.

This episode, we talk about everything that makes the film so divisive and Ari Aster’s whole thing. We also talk about Collette’s career and our favorites in her filmography, the rise of character actress Ann Dowd, and what makes the conversation around “elevated horror” so frustrating.

Topics also include putting the Saturn Awards on notice, coin parties, and the Gotham Awards.

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250 – Her Smell

We’ve come up on another anniversary episode of This Had Oscar Buzz, and we’ve got another favorite that long-time listeners have heard us praise before: 2019’s Her Smell. Debuting on at TIFF 2018, the Alex Ross Perry film is a daring and ambitious take on the riot grrrls of the early 1990s. Starring Elisabeth Moss as Becky Something, an addict egomaniac who brings her own downfall, the film audaciously immerses us in Becky’s destruction (and later climb out of it) in ways that are exhausting and rewarding. Earning stratospheric praise for Moss by even the film’s most frustrated viewers, the film was cursed to a microrelease and stayed an Oscar outsider despite vocal critical support.

This episode, we talk about the audacity of both Perry’s film and Moss’ performance. We also get into the depressing state of independent distribution, Perry’s open comments regarding its release and support for Moss’ performance, and the Gotham Awards.

Topics also include the film’s fake album covers, our appreciation for difficult characters, and our superlatives for the past year of the podcast.

But perhaps most exciting is two bits of news right at the top: our new theme music by Taylor Cole and our newly launched Patreon!! Please consider subscribing and joining us for This Had Oscar Buzz: Turbulent Brilliance over at patreon.com/thishadoscarbuzz!!

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246 – First Cow

Though this episode brings talk of the gloom of covid lockdown, we still get to talk about one of our favorite films of the last several years. The story of two men who become friends in the harshness of the 19th century Pacific Northwest and start a business by stealing the milk of the area’s only cow, Kelly Reichardt’s First Cow is a delicate study of American capitalism from one of the most under-rewarded filmmakers working today. The film’s modesty (a Reichardt specialty) might have kept it away from awards talk had it not been one of the last films released prior to covid lockdowns. Though the lack of released films that year and a Best Picture win with New York critics helped keep the film in conversation, First Cow and Reichardt remained on the outside of the Academy’s tastes.

This episode, we talk about Reichardt’s filmography and the film’s long festival run ahead of its thwarted theatrical release. We also talk about the performances of John Magaro and Orion Lee, A24 putting all of its 2020 Oscar energy towards (the also great) Minari, and retired bovine actress Evie the cow.

Topics also include the Academy ratio, cow puns, and the Gotham awards.

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