333 – King of the Hill

Perhaps the only silver lining in 2025 is that we have been given a Steven Soderbergh double dip, with both Presence and Black Bag in theatres. Among Soderbergh’s less discussed films is King of the Hill, a Depression-set drama of a boy living on his own in a St. Louis hotel. The film is a gem that showcases a great performance by a young Jesse Bradford (along with a slew of recognizable stars before they got famous), but even positive reviews upon the film’s release didn’t prevent it from being a box office disappointment.

This episode, we talk about Soderbergh’s first attempts to follow up Sex Lies and Videotape and Soderbergh’s varied filmography. Topics also include the 1993 Cannes Film Festival, top prominent top 10 lists the film placed on, and the film’s fractured connection to Robert Redford.

Topics also include Gramercy Pictures, this era of childhood movies for adults, and tuberculosis.

159 – The House of Mirth

This week, we are looking at the work of director Terence Davies and his 2000 literary adaptation of The House of Mirth. Based on the classic Edith Wharton novel, the film casts Gillian Anderson as Lily Bart, a woman who tragically fails to navigate the cruelties of New York high society at the turn of the century. The film earned strong reviews for Davies (rebounding from his adpatation misfire The Neon Bible) and Anderson (still flying high with her Emmy-winning performance on The X-Files), but a small late year release made this one a bigger hit with critics than it ultimately was for the Academy.

We look back at the 200 Best Actress lineup, and discuss how Anderson might have fallen victim to an Academy still too willing to categorized television stars as just television stars and how indie distributor Sony Pictures Classics (rightly) had another awards priority. We also discuss how costume dramas went out of fashion as Best Picture contenders, the film’s spectacular supporting cast, and the 2000 Costume Design nominees.

Topics also include to extinct Village Voice poll, the British Independent Film Awards, and the 2000 Toronto International Film Festival.

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