222 – Away We Go

After winning Best Picture and Best Director for his zeitgeist-seizing debut feature American Beauty, Sam Mendes instantly became a director who generate awards chatter no matter the project. In 2009, he took a noticeable tonal downshift with Away We Go, a minor key comedy about a young pregnant couple on a road trip to decide where they want to grow their roots. Despite praise for Maya Rudolph’s performance as a soon-to-be mother still grieving the untimely death of her parents and John Krasinski opposite her as her jokester partner, the film didn’t succeed as summer counter-programming and mostly forgotten in the season to come.

This episode, we talk about the harsh reviews that found the film more judgmental than reflective and Rudolph’s understated and absorbing performance. We also talk about Alexi Murdoch’s soundtrack, possibly semi-autobiographical screenwriter marrieds Dave Eggers and Vendela Vida, and the film’s bursting ensemble of fantastic character actors from Melanie Lynskey, Allison Janney, and Maggie Gyllenhaal.

Topics also include this year’s New York Film Critics Circle award winners, Mendes’ pivot to Bond, and the lure of Montreal. Don’t forget to get submissions in for our upcoming mailbag episode!

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Joe: @joereid
Chris: @chrisvfeil

137 – Live By Night

After landing a Best Picture winner that famously left him without a Best Director nomination for Argo, Ben Affleck made his director-star return in 2016 with Denis Lehane adaptation Live By Night. Affleck cast himself as a criminal caught between the Irish and Italian mobs in Tampa (with an ensemble that included Chris Messina, Zoe Saldana, and Elle Fanning) and is a muddied mess of mob movie tropes. The film shuffled release dates and opened with a whiff at the end of the year, failing to catch audiences amid a packed Oscar season and its own floundering reviews. Live By Night was forgotten and out of theatres once nominations arrived.

This episode, we talk about Affleck’s successes and stumbling blocks, including our own conflicting feelings about him as an actor, director, and celebrity. We also look back at Affleck’s shocking Best Director snub, his habitual casting of himself shirtless, and Warner Bros. disappointing 2016 which also included the introduction of Batfleck.

Topics also include our Top 10 films of 2016, Affleck’s meta casting in Gone Girl, Sienna Miller facial blindness.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil