Best Supporting Actress – Page 4

024 – Anywhere But Here

This week’s episode is a tale of two actresses at the opposite ends of their respective Oscar stories: 1999′s Anywhere But Here, with Natalie Portman’s kicking off her Oscar trajectory and Susan Surandon struggling to get the nomination that has eluded her since her win for Dead Man Walking. This is a mother-daughter film stooped in mid-90s adult contemporary songs and cozy cliches, so naturally we kind of loved it – even if Oscar forgot it.

This week we look at the career of director Wayne Wang, including showering some love on his other (also Oscar ignored) mother-daughter saga The Joy Luck Club. Also discussed: the much beloved film year that was 1999, what happens after Overdue Oscars, and a full dive into Fumbling Toward Ecstasy era Sarah McLachlan.

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021 – Tadpole

The Sundance Film Festival is an elusive mistress that giveth Oscar buzz only to taketh away when at lower altitudes. Case in point is this week’s would-be Oscar title: 2002′s Tadpole. The film was a sensation of the festival, winning a Best Director prize for Gary Winick and stirring buzz for newcomer Aaron Stanford and Bebe Neuwirth. But the newfangled digital technology that won praise at the festival for all the new filmmaking possibility it represented ended up looking amateurish and garish upon release.

Tadpole ultimately got lost in a slew of 2002′s rich boy movies and disappointed on release after Miramax’s big $6M acquisition. This riff on The Graduate by way of Voltaire quotes may have been lost to time, but for a minute, it was kind of A Thing. This week, we’re also talking about the distinctions between regular Oscar buzz and Sundance Oscar buzz, the Meryl Streepness of The Hours vs. the Nicole Kidmanness of The Hours, and the National Board of Review’s “prize as party invitation” special recognitions.

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005 – Courage Under Fire

This week, we are taking you back to 1996 for Edward Zwick’s Rashomon-esque half-examination of the Gulf War and sexism in the military, Courage Under Fire. While most of the praise on release was granted to star Denzel Washington and supporting player Lou Diamond Phillips, we take a look at the case for Meg Ryan and how an Oscar nomination eluded her career.

Other discussion points include Zwick filmography as consistently mild Oscar success, Matt Damon “getting” thin for his breakout role, and the constantly shifting landcape of Meg Ryan’s southern dialect. And we change up the format and add a closing trivia showdown: The IMDb Game, AKA Known 4.

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001 – Mona Lisa Smile

Our first episode of This Had Oscar Buzz is about 2003’s Mona Lisa Smile, director Mike Newell’s Wellesley College period melodrama, starring Julia Roberts and all of the It Girls of the early Aughts. Come for the art history lesson, stay for the dashed awards hopes.

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