Best Adapted Screenplay – This Had Oscar Buzz

190 – Love and Friendship

We’ve talked before about the shaky Oscar history with Amazon Studios, and this episode we are talking about one of their unfortunate misses that happened in the year of their biggest success: 2016′s Love and Friendship. Adapted from the scabrous Jane Austen novella Lady Susan, the film had a much-ballyhooed premiere at the Sundance Film Festival and reunited Whit Stillman with his Last Days of Disco stars Kate Beckinsale and Chloe Sevigny. A perfect marriage between Austen and Stillman’s high society wits, the film sees Beckinsale in peak comedic form as the flirtatious and scheming Lady Susan opposite a cast of those caught in her web, including the uproarious breakout supporting player Tom Bennett.

This week, we discuss our love for the film and explore the Whit Stillman vibe of socially observant comedy. We also discuss Beckinsale’s career as primarily an action star, the highly competitive Best Actress and Best Supporting Actor races that made little room for Beckinsale and Bennett, and Amazon’s summer of 2016 misfires.

Topics also include the most recent AARP Movies for Grownups ceremony, Critics’ Choice ties, and which son maybe dies in “they’ll think we’re lezzos” cinema Adore.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

178 – October Sky (with Esther Zuckerman)

Moving along from Maggie Gyllenhaal’s breakthrough last week, this week we are dis cussing her brother Jake’s! Senior Entertainment writer for Thrillist Esther Zuckerman joins us to talk about middle school classroom mainstay and union-agnostic true story, 1999′s October Sky. The film starred Jake Gyllenhaal as Homer Hickham Jr., as young West Virginian who bucked the pressure to join the mining industry to study rockets, leading to a career at NASA. With Laura Dern as his doting teacher and Chris Cooper as his gruff unsupportive father, the film was sold as a family film early in the year and gained some momentum before becoming ultimately forgotten by Oscar.

This episode, we look at Jake’s career evolutions from awkward love interest to older actresses to action to lovable weirdo and back to action star mode. We also discuss the career of director Joe Johnston, WGA nominees that were not nominated by the Academy, and Chris Cooper’s evolution from noteworthy character actor to noteworthy stern dad.

Topics also include, Universal’s 1999 awards slate and the Best Supporting Actor lineup that year, Peter Parker’s landlord, and Esther’s upcoming Oscar fashion history book Beyond the Best Dressed (Preorder HERE!).

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

086 – The Bonfire of the Vanities

We’ve got our oldest movie yet this week and it’s a doozy! In 1990, auteur Brian DePalma gave us a prestige adaptation of the most lauded novel of the 80s and faceplanted to notorious depths. This week, we’re talking about a bomb of era-defining proportions – brace yourself for The Bonfire of the Vanities!

Headlined by three of the biggest names of 1988 – Tom Hanks, Melanie Griffith, and Bruce Willis – DePalma’s adaptation was riding on major buzz beyond even Oscar’s consideration. The film aims to satirize class inequity and hypocrisy among Wall Street’s Manhattan, but was critically drubbed for its atonal swings and those misbegotten casting choices. As detailed in Julie Salamon’s behind-the-scenes book “The Devil’s Candy”, Bonfire was also a very troubled production plagued with producer exits, star egos, and an intense level of scrutiny.

This episode, we discuss this legendary flop and the trajectories of both director Brian DePalma and star Melanie Griffith. Topics also include “with, and” starring screen credits, the 1990 Oscar nominees, and teen heartthrob Devon Sawa.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

042 – Evening (with Richard Lawson)

This Had Oscar Buzz has always been a long day’s journey into Evening! In 2007, the film strangely opened in the summer and quickly became the poster child for the “Oscar bait” moniker. Starring a massive female ensemble including [inhales sharply] Claire Danes, Toni Collette, Vanessa Redgrave, Natasha Richardson, Glenn Close, Mamie Gummer, Eileen Atkins and Meryl Streep, the film is an unfortunately vague journey through one dying woman’s regretful memories of a fateful wedding weekend on the coast.

Joining us for this episode is Vanity Fair’s chief critic Richard Lawson to help unpack the many, many things that make Evening such a disappointment and a dreary, sex-negative enterprise. We also discuss our accidental obsession with Claire Danes (here discussed in her fifth episode), how the film borrowed heavily from our relationship with The Hours, and the 2007 era of Focus Features. Get ready to howl like Close and chase some moths!

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

014 – The Door in the Floor

This week’s episode is the sound of something trying to not make a sound. It’s our first failed Oscar buzz movie that we genuinely love and it’s 2004’s The Door in the Floor. Adapted from the first segment of John Irving’s A Widow for One Year, this film stars Jeff Bridges as a grieving novelist, Kim Basinger as his estranged wife, and Jon Foster as the young student spending the summer between them.

The Door in the Floor also introduced us to Elle Fanning and gave us what might be the best adaptation of Irving’s work. The film feels like a crucial stop on the path to Bridges’ eventual Oscar for Crazy Heart, and is best remembered for his performance. Or maybe, it’s just his muumuu caftan. Listen along as we obsess over the lore of Focus Features, gush over its underappreciated and oft-repurposed score, and gasp over the film’s cameo from a beloved Tony winner.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

002 – Tulip Fever

This week’s piece of failed awards bait is the 2017 costume drama/romantic “thriller” Tulip Fever, and by “2017,” we mean “filmed in 2014 and originally intended to be released at various times over the course of the next three years, only to finally limp into theaters after several waves of frantic test screenings, horrid buzz and derisive jokes.” From the director of The Other Boleyn Girl, people! How could it have all gone so very wrong?

Topics include: Dane DeHaan and baby pandas, Judi Dench running Goldman-Sachs-for-flowers, whether we’re living in a post-costume-drama world, whether this would have been Alicia Vikander’s Norbit, and how much would have been different if DreamWorks had been able to make this movie in 2004 as originally intended.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS