017 – Seven Pounds

Cuddle up to your jellyfish, because this week’s we’re talking about Seven Pounds. Just two years after being nominated for The Pursuit of Happyness, we thought that Will Smith’s reteaming with director Gabriele Muccino could maybe bring the Oscar that has eluded him since first being nominated for Ali. But that was before we realized what this movie actually was, let alone how painfully bad it is.

Scattered among the sacrificial flesh of the film’s thwarted Oscar dreams, we discuss Will Smith’s Oscar trajectory, Rosario Dawson’s underrated career, and the many ways this bonkers movie grinds our gears. We also take a look at 2008’s whirlwind tour to Kate Winslet’s Best Actress win and the full insanity and ramifications of how the film withholds its twist. And of course, we don’t forget to notice the collateral beauty around us.

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Joe: @joereid
Chris: @chrisvfeil

016 – The Fifth Estate

If the past few weeks of movies we like had you weary, fear not for this episode we have a real stinker for you: 2013′s The Fifth Estate. This was the year that Benedict Cumberbatch was everywhere and nowhere, alone yet not alone. After the rise of Sherlock, this year saw him in four major movies including his biggest role in this film as Julian Assange, the controversial figure at the head of WikiLeaks.

This week we look at Cumberbatch’s expected Oscar rise and how The Fifth Estate quickly died when faced with competition from bigger and more beloved movies. Joe finds a perfect summation of the film through The Simpsons and Chris defends the oeuvre of Bill Condon. Other topics include Josh Singer’s oddball Wikipedia page, Daniel Bruhl’s near-miss Oscar nomination for Rush, and this film’s bizarre opening credits sequence.

But most exciting this episode: a first ever perfect score on The IMDb Game!

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Joe: @joereid
Chris: @chrisvfeil

014 – The Door in the Floor

This week’s episode is the sound of something trying to not make a sound. It’s our first failed Oscar buzz movie that we genuinely love and it’s 2004’s The Door in the Floor. Adapted from the first segment of John Irving’s A Widow for One Year, this film stars Jeff Bridges as a grieving novelist, Kim Basinger as his estranged wife, and Jon Foster as the young student spending the summer between them.

The Door in the Floor also introduced us to Elle Fanning and gave us what might be the best adaptation of Irving’s work. The film feels like a crucial stop on the path to Bridges’ eventual Oscar for Crazy Heart, and is best remembered for his performance. Or maybe, it’s just his muumuu caftan. Listen along as we obsess over the lore of Focus Features, gush over its underappreciated and oft-repurposed score, and gasp over the film’s cameo from a beloved Tony winner.

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Joe: @joereid
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005 – Courage Under Fire

This week, we are taking you back to 1996 for Edward Zwick’s Rashomon-esque half-examination of the Gulf War and sexism in the military, Courage Under Fire. While most of the praise on release was granted to star Denzel Washington and supporting player Lou Diamond Phillips, we take a look at the case for Meg Ryan and how an Oscar nomination eluded her career.

Other discussion points include Zwick filmography as consistently mild Oscar success, Matt Damon “getting” thin for his breakout role, and the constantly shifting landcape of Meg Ryan’s southern dialect. And we change up the format and add a closing trivia showdown: The IMDb Game, AKA Known 4.

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Joe Reid: @joereid
Chris Feil: @chrisvfeil

004 – Ask the Dust

What’s that? You’re not familiar with the 2006 romantic drama Ask the Dust? Where a handsome young writer played by Colin Farrell moves to California, negs the hell out of waitress Salma Hayek, and begins a torrid love affair amid the dusty environs of the Great Depression? That’s probably because the early Oscar buzz on this one — goosed by the presence of writer/director Robert Towne (Chinatown) — died a swift death. Let’s talk about it!

Topics include Salma Hayek’s very emotional 2006, whether Colin Farrell’s sex tape made him look good or bad, and whatever the hell Idina Menzel was doing here (and which Looney Tunes character she reminded us of).

003 – Pay It Forward

This week we’re calling all angels as we discuss 2000’s major critical disaster and thwarted Oscar grab, Pay It Forward. That’s right, the one where a post-Sixth Sense Haley Joel Osment teaches the world to pass on one favor to three strangers. A film notorious in This Had Oscar Buzz lore, Pay It Forward‘s awards hopes were spoiled by epic failures of miscasting and egregious emotional manipulation, not to mention the ever-changing landscape of Kevin Spacey’s burn makeup.

On this episode, we look back at the beloved Entertainment Weekly Fall Movie Preview issues, Jon Bon Jovi’s emerging acting career, and composer Thomas Newman copying himself in the span of a single Oscar season. Just one of several failed awards players from the major studios in 2000 (as well as one of several Helen Hunt movies), Pay It Forward is perhaps the most infamous.