182 – State of Play

Adapted from the lauded UK miniseries of the same title, State of Play had a labored journey to the screen. Appearing on the 2006 Black List and originally intended as the screen reunion for Brad Pitt and Edward Norton, the American film adaptation weathered several delays, recastings, and creative setbacks, including the 2007 WGA strike. Once in production, the film mounted a cast that included Russell Crowe, Ben Affleck, Rachel McAdams, and Helen Mirren to unfold its political conspiracy in the attempted vein of All the President’s Men. All of this prestige put the film on awards prognosticators’ early predictions while it was still planned for a fall 2008 release, but it quickly cast aside those ambitions once in was punted one final time to a spring 2009 release.

This episode, we discuss Russell Crowe’s post-Oscar career of several Ridley Scott films and the phone-throwing incident that tainted his career. We also discuss Ben Affleck in the immediate afterglow of his directorial debut Gone Baby Gone, his immediate pivot to casting himself in his own movies, and director Kevin Macdonald’s pivot from documentarries to fiction films.

Topics also include watching the original miniseries on Netflix discs, snacks that are just chemicals, and The Eagle.

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137 – Live By Night

After landing a Best Picture winner that famously left him without a Best Director nomination for Argo, Ben Affleck made his director-star return in 2016 with Denis Lehane adaptation Live By Night. Affleck cast himself as a criminal caught between the Irish and Italian mobs in Tampa (with an ensemble that included Chris Messina, Zoe Saldana, and Elle Fanning) and is a muddied mess of mob movie tropes. The film shuffled release dates and opened with a whiff at the end of the year, failing to catch audiences amid a packed Oscar season and its own floundering reviews. Live By Night was forgotten and out of theatres once nominations arrived.

This episode, we talk about Affleck’s successes and stumbling blocks, including our own conflicting feelings about him as an actor, director, and celebrity. We also look back at Affleck’s shocking Best Director snub, his habitual casting of himself shirtless, and Warner Bros. disappointing 2016 which also included the introduction of Batfleck.

Topics also include our Top 10 films of 2016, Affleck’s meta casting in Gone Girl, Sienna Miller facial blindness.

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Joe: @joereid
Chris: @chrisvfeil

066 – Bounce

This episode, we have another psychotic romance for you with 2000′s Bounce. One of Miramax’s 2000 awards-hopeful misfires (which ultimately led to the rise of Chocolat), the film stars Gwyneth Paltrow and Ben Affleck as two would-be lovers brought together by a plane crash – only she doesn’t know that he’s the one that gave a ticket to his now-dead husband. At the time, the film was sold almost exclusively on the former relationship between the stars and ultimately that was all it got attention for.

Bounce was also somewhat of a downshift in critical affection for writer-director Don Roos after the prickly Indie Spirits favorite The Opposite of Sex. Though this film sparks with some of his sharp dialogue, Bounce suffers from too many plot contrivances to make the love story less queasy. In the end, a heavy hitter year in the lead acting categories easily shut out the two stars out already dealing with backlash after their Oscar wins.

We also take a look back at the fits and restarts of Affleck’s career from the perfect casting of Gone Girl to the almost matinee idol days of Armageddon, discuss the era that was Brunette Gwyneth, and we return to our beloved Blockbuster Entertainment Awards.

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Joe: @joereid
Chris: @chrisvfeil