BAFTA – This Had Oscar Buzz

305 – Peterloo (with Fran Hoepfner)

With the upcoming return of Mike Leigh to cinemas with Hard Truths, we invited writer and Fran Mag creator Fran Hoepfner to join us to talk about his last theatrical effort, 2019’s Peterloo. The film tells the story of the buildup to the Peterloo massacre, in which years of political movement to get parliamentary representation for the people of Manchester resulted in bloodshed. Told with the attention to detail that has long been Leigh’s trademark, the film had a cold fall festival response in 2018, which led American distributor Amazon to punt the film to an unceremonious 2019 release.

This week, we dive into the film’s underrated and underexamined merits and what contributed to its unfair reception. We also talk about our anticipation for Hard Truths, this film’s lack of marquee Leigh players, and some of Leigh’s other undervalued films.

Topics also include the film’s political timeliness, Amy Raphael’s Mike Leigh on Mike Leigh, and Leigh on the THR Director Roundtable.

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302 – Sliding Doors (with Bobby Finger)

We’re talking about Gwyneth Paltrow’s red hot 1998 this week and who better to join us than author and Who? Weekly co-host Bobby Finger?! With a slew of movies to aid her ascendancy, Gwyneth Paltrow wasn’t having a moment in 1998, she was the moment. It all kicked off with the Sundance debut of romcom Sliding Doors, a film that cast Paltrow as a woman whose fate is determined by whether or not she makes the subway. Showing us both what happens if she does or doesn’t make that train, the film made Paltrow a buzzy figure, but itself was usurped as an awards vehicle by Shakespeare in Love.

This week, we talk about the concept of having “a Sliding Doors moment” and how the film is much wilder than we remembered it. We also talk about Bobby’s new book Four Squares, Paltrow’s Oscar season SNL hosting duties, and the film introducing us all to “Thank You” by Dido.

Topics also include video rental store wall real estate, Miramar, and the formative vibes of Richard Curtis.

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257 – Kill Bill – Vol. 1

We’re here celebrating a 20th anniversary for a beloved film this week, listeners! After his longest break between movies to date, Quentin Tarantino delivered a samurai epic while trying to crack the script for another epic, Inglourious Basterds. That ultraviolent actioner, Kill Bill, would also reunite Tarantino with his Pulp Fiction star Uma Thurman, given a major showcase as an unnamed blood soaked bride bent on vengeance. But Tarantino made so much movie, it had to be split into two.

Vol. 1 arrived in 2003 and became a sizable hit, wild mild critical praise that didn’t quite know what to do with its non-stop violence, time-hopping structure, and incomplete narrative arc. This episode, we talk about Kill Bill – Vol. 1‘s excellent female ensemble, its triumph at the MTV Movie Awards, and the all-timer needle drop “Battle Without Honor or Humanity”.

Topics also include first experiencing the film’s cliffhanger, its strong performance at BAFTA, and early aughts trailer descriptions.

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242 – Pride

This week’s episode is one we have promised for some time: 2014′s Pride. The film tells the true story of Lesbians and Gays Support the Miners, a queer activist group that partnered with a Welsh town in the 1980s during the mining strike under Thatcher’s rule. Following the lives of both the straight townsfolk and the queer Londoners, the film paints a portrait of queerness, allyship, and activism that rings true today while also satisfying on a crowd-pleasing level. After launching at Cannes’ Directors Fortnight and winning the Queer Palm, the film launched in the fall of 2014 to some ardent critical fans, but didn’t cross the Oscar finish line.

This episode, we talk about the theatre career of director Matthew Warchus and the film’s comforts in this current tumultuous moment for queer people. We also talk about the film’s tremendous ensemble headlined by Imelda Staunton and Bill Nighy, gay infighting, and unofficial THOB mascot Men Trussler.

Topics also include the 2014 Cannes Film Festival, Monica Bellucci bluntly listing director names, and the concept of Festival Regret.

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237 – The Last Seduction (with Karina Longworth!)

We are joined by none other than You Must Remember This’ Karina Longworth this week to talk about one of our most unique and most requested Oscar cases. In 1994, The Last Seduction gave a modern riff on classic noir with a sexually frank femme fatale played by Linda Fiorentino who pulls a game of deception on multiple men. The film initially aired on HBO, but an enthusiastic critical response built towards October Films giving the film a theatrical release. With Fiorentino’s performance earning major critics prizes and even a BAFTA nomination, October Films sued the Academy when the film was deemed ineligible thanks to its television debut. Though nothing came from the suit, the film has continued to amass its fans in recent years.

This episode, we talk about Fiorentino’s celebrated performance and some of the more troublesome aspects of the film’s politics. We also discuss You Must Remember This’ brand new season Erotic 90s, Dirty Dancing winning Best Original Song, and the film’s infamous chain link fence sex scene.

Topics also include Fiorentino’s reputation, Tom Cruise’s 1999, and buying Playboys in Serbia.

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233 – The Best Exotic Marigold Hotel

From Shakespeare in Love director John Madden and with a bursting prestige-y ensemble, The Best Exotic Marigold Hotel is one we have been saving. Led by Dames Judi Dench and Maggie Smith, who both had other films in the race in this season, the film follows several seniors who seek fulfillment and romance in India, including Tom Wilkenson as a man seeking reconciliation with a former gay lover. With Dev Patel as a young hotelier, the film was a global box office success that showed up throughout the precursor season, but Oscar did not come calling.

This episode, we take a look at the 2012′s wide-spread acting races, with all previous winners in Supporting Actor and Jennifer Lawrence winning Best Actress. We also talk about Smith’s two Oscar wins, Dench’s near nomination this year for Skyfall, and the Ol Parker franchise ethos.

Topics also include our winner predictions for this year, “The Quartet,” and Dev Patel going from twink to hunk.

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