awards – This Had Oscar Buzz

031 – How to Make an American Quilt

Coming off of two successive Oscar nominations, Winona Ryder led an immaculate female ensemble for Jocelyn Moorhouse’s How to Make an American Quilt. But instead of furthering Ryder’s mounting Oscar narrative, the film wound up as a surprise SAG Ensemble nominee – and, as Joe and Chris argue, a welcome one. This week, we take a look back at SAG Ensemble’s history, including most and least favorite nominees that didn’t translate to Best Picture nominations.

The film itself is a (however delightful) mixed bag of infidelity narratives that don’t always serve a top notch ensemble of Ellen Burstyn, Anne Bancroft, Kate Nelligan, Alfre Woodard, Lois Smith, 90s mega hottie Johnathon Schaech – and yep, even Maya Angelou. It may be too many plot threads for a 60-Second Plot Description, but also for one modest movie as well. Topics also include underrated Snatch Game performances, SAG’s silly title card rule for its Ensemble prize, and the reason the MTV Movie Awards should exist: the Best Kiss category.

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012 – An Unfinished Life

This week’s episode takes you back to September 2005, when the exit of the Weinsteins from Miramax resulted in a fire sale of delayed releases finally arriving in theatres to the most modest of fanfares. Least trumpeted of all was An Unfinished Life, starring Robert Redford, Jennifer Lopez, and Morgan Freeman.

Here we have a film to fill your This Had Oscar Buzz bingo card: Lasse Hallström. An adaptation of a book about a grieving family. Scar makeup of debatable quality. A bear shows up. And of course, the oh-so-trustworthy source of test screening reactions from online message boards building up our hopes of a Camryn Manheim nomination.

What makes a life “unfinished”? As we discuss this week, it might just be having a name like Griff, living in the generalized American west, and (our favorite) winning an award we have never heard of before!

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009 – Serena

Grab your snake-catchin’ eagle and buckle up for this week’s Oscar misstep: Susanne Bier’s literary adaptation Serena.

Set during the Great Depression, this lumber baron romantic thriller starred Jennifer Lawrence and Bradley Cooper and became a question mark lingering over multiple Oscar seasons. After a beleaguered post-production process and its struggles to find a distributor, the film immediately disappeared when it finally arrived in theatres, after both stars had delivered multiple blockbusters and two Oscar successes with David O. Russell’s Silver Linings Playbook and American Hustle.

Listen in as we unpack a movie that asks “how much animal symbolism is too much?” and “what would happen if Lady Macbeth and the Monopoly guy fell in love?” The answers: “never enough” and failed Oscar buzz.

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BONUS – If Queen Street Could Talk

We’re going to TIFF! If you haven’t seen, the first titles for this year’s Toronto International Film Festival lineup have been revealed. Joe and Chris couldn’t wait to talk about it, so we are treating you to a special bonus episode to discuss what’s to come from what many people consider the official start of the Oscar season. We’ll be discussing the films and performances we’re most anticipating, those that make us nervous, and what we hope will be announced at a later date!

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006 – 1492: Conquest of Paradise

Brace yourselves for some slow motion colonialism set to the dramatics of Vangelis – this week, we are discussing 1992′s Christopher Columbus epic 1492: Conquest of Paradise. With star Gerard Depardieu having a moment in American cinema and director Ridley Scott fresh off of his first nomination for Thelma and Louise, what could possibly go wrong?

Listen as Joe and Chris remember Sigourney Weaver’s costumes, trailer packages on VHS tapes, and how the film is the prototype for Ridley Scott’s slew of historical epics.

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005 – Courage Under Fire

This week, we are taking you back to 1996 for Edward Zwick’s Rashomon-esque half-examination of the Gulf War and sexism in the military, Courage Under Fire. While most of the praise on release was granted to star Denzel Washington and supporting player Lou Diamond Phillips, we take a look at the case for Meg Ryan and how an Oscar nomination eluded her career.

Other discussion points include Zwick filmography as consistently mild Oscar success, Matt Damon “getting” thin for his breakout role, and the constantly shifting landcape of Meg Ryan’s southern dialect. And we change up the format and add a closing trivia showdown: The IMDb Game, AKA Known 4.

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004 – Ask the Dust

What’s that? You’re not familiar with the 2006 romantic drama Ask the Dust? Where a handsome young writer played by Colin Farrell moves to California, negs the hell out of waitress Salma Hayek, and begins a torrid love affair amid the dusty environs of the Great Depression? That’s probably because the early Oscar buzz on this one — goosed by the presence of writer/director Robert Towne (Chinatown) — died a swift death. Let’s talk about it!

Topics include Salma Hayek’s very emotional 2006, whether Colin Farrell’s sex tape made him look good or bad, and whatever the hell Idina Menzel was doing here (and which Looney Tunes character she reminded us of).

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003 – Pay It Forward

This week we’re calling all angels as we discuss 2000’s major critical disaster and thwarted Oscar grab, Pay It Forward. That’s right, the one where a post-Sixth Sense Haley Joel Osment teaches the world to pass on one favor to three strangers. A film notorious in This Had Oscar Buzz lore, Pay It Forward‘s awards hopes were spoiled by epic failures of miscasting and egregious emotional manipulation, not to mention the ever-changing landscape of Kevin Spacey’s burn makeup.

On this episode, we look back at the beloved Entertainment Weekly Fall Movie Preview issues, Jon Bon Jovi’s emerging acting career, and composer Thomas Newman copying himself in the span of a single Oscar season. Just one of several failed awards players from the major studios in 2000 (as well as one of several Helen Hunt movies), Pay It Forward is perhaps the most infamous.

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002 – Tulip Fever

This week’s piece of failed awards bait is the 2017 costume drama/romantic “thriller” Tulip Fever, and by “2017,” we mean “filmed in 2014 and originally intended to be released at various times over the course of the next three years, only to finally limp into theaters after several waves of frantic test screenings, horrid buzz and derisive jokes.” From the director of The Other Boleyn Girl, people! How could it have all gone so very wrong?

Topics include: Dane DeHaan and baby pandas, Judi Dench running Goldman-Sachs-for-flowers, whether we’re living in a post-costume-drama world, whether this would have been Alicia Vikander’s Norbit, and how much would have been different if DreamWorks had been able to make this movie in 2004 as originally intended.

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001 – Mona Lisa Smile

Our first episode of This Had Oscar Buzz is about 2003’s Mona Lisa Smile, director Mike Newell’s Wellesley College period melodrama, starring Julia Roberts and all of the It Girls of the early Aughts. Come for the art history lesson, stay for the dashed awards hopes.

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