367 – Mumford

Outside of his place in the Star Wars canon, Lawrence Kasdan has a quick rise in the 1980s after his debut Body Heat. With multiple Best Picture nominees to his name like The Big Chill and The Accidental Tourist, Kasdan’s status took a downward trajectory in the 1990s, closing the decade with 1999’s Mumford. Starring Loren Dean as a man pretending to be a certified therapist who sweeps a small town off its feet, the ensemble film has its charms and problems in equal measure.

This week, we talk about Kasdan’s directorial career and his multiple screenplay nominations (but no director nomination). We also discuss Jason Lee as a quintessential 1990s performer, how Mumford‘s release was overshadowed by the arrival of American Beauty, and Hope Davis’ best-in-show turn as Dean’s patient-turned-love interest.

Topics also include David Paymer Six Timers, online shopping addiction, and Unsolved Mysteries.

031 – How to Make an American Quilt

Coming off of two successive Oscar nominations, Winona Ryder led an immaculate female ensemble for Jocelyn Moorhouse’s How to Make an American Quilt. But instead of furthering Ryder’s mounting Oscar narrative, the film wound up as a surprise SAG Ensemble nominee – and, as Joe and Chris argue, a welcome one. This week, we take a look back at SAG Ensemble’s history, including most and least favorite nominees that didn’t translate to Best Picture nominations.

The film itself is a (however delightful) mixed bag of infidelity narratives that don’t always serve a top notch ensemble of Ellen Burstyn, Anne Bancroft, Kate Nelligan, Alfre Woodard, Lois Smith, 90s mega hottie Johnathon Schaech – and yep, even Maya Angelou. It may be too many plot threads for a 60-Second Plot Description, but also for one modest movie as well. Topics also include underrated Snatch Game performances, SAG’s silly title card rule for its Ensemble prize, and the reason the MTV Movie Awards should exist: the Best Kiss category.

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