339 – 99 Homes

99HOMES_00014_CROP (l to r) Andrew Garfield stars as ‘Dennis Nash’ and Michael Shannon as ‘Rick Carver’ in Broad Green Pictures release, 99 HOMES. Credit: Hooman Bahrani / Broad Green Pictures

2014 fall festivals saw the debut of Ramen Bahrain’s 99 Homes, a dark crime saga centered around the housing crisis of the previous decade. Andrew Garfield (fresh off of his mildly received run of Spider-Man movies) stars as a father who tries to rebound from his eviction by taking up work with the slick real estate operator who evicted him, played by Michael Shannon. Once the film was released in the fall of 2015, Shannon earned Supporting Actor nominations at each of the major precursors, only to miss out on Oscar nomination morning.

This episode, we talk about Shannon’s snubbing and his two unlikely Supporting Actor nominations. We also discuss the short life of Broad Green Pictures, Garfield’s performance in Angels in America, and the 2015 Best Supporting Actor race.

Topics also include Joe’s first TIFF, Florida onscreen, and our upcoming May miniseries!

338 – The Death of Stalin

After passing off the reins of Veep, Armando Iannucci returned to movie screens with another political satire. Based on the graphic novel, The Death of Stalin farcically recounts the last days of the dictator and the scramble for power in the days after. With stars like Steve Buscemi, Jason Isaacs, and Simon Russell Beale, the film received solid reviews at its 2017 TIFF premiere and solid box office at its spring 2018 release. But thanks to BAFTA recognition and a Screenplay prize from the National Society of Film Critics, some folks predicted The Death of Stalin for a surprise Adapted Screenplay nomination that never came to be.

This episode, we talk about Iannucci’s career and how the surprise screenplay nomination for In The Loop stirred Oscar anticipation for this film as well. We also discuss the correct way to pronounce Buscemi, the film’s balance between serious-mindedness and farce, and our favorites from the film’s ensemble.

Topics also include the 2017 TIFF lineup and the 2018 Adapted Screenplay and Supporting Actor races.

337 – To the Wonder

With the whispers and rumors that Terrence Malick’s Jesus film The Way of the Wind maybe possibly perhaps who knows could finally premiere this year after filming in 2019, we thought it was time to discuss his work. One year after The Tree of Life earned Oscar nominations and the Palme d’Or, Malick had perhaps his fastest turnaround with To The Wonder. A semi-autobiographical tale of a cross-continental love affair souring once it reaches America, the film starred Ben Affleck, Olga Kurylenko and Rachel McAdams as the onscreen love triangle. But once the film premiered at the Venice Film Festival, it earned some of Malick’s harshest notices to date.

This episode, we discuss the mixed reception around Malick’s post-Tree of Life work and our own divided thoughts on the film. We also discuss the several famous names left on Malick’s cutting room floor, Javier Bardem’s performance as the town priest, and Rachel McAdams joins our Six Timers Club.

Topics also include Roger Ebert’s final review, Kurylenko as an action star, and “to the wonder, to the walls.”

336 – Certain Women (with Shirley Li!)

As we begin to get hyped for a new Kelly Reichardt film on the horizon with The Mastermind, The Atlantic staff writer Shirley Li joins us to discuss her 2016 triptych Certain Women. The film adapts three Maile Meloy stories into one film, with each following a different woman whose voice is stifled in their Montana circumstances. With several stars populating the ensemble including Laura Dern, Michelle Williams, and Kristen Stewart, its biggest awards success was with its breakthrough star, Lily Gladstone.

This episode, we talk about our love for Reichardt’s filmography and Gladstone’s silent long take powerhouse moment in the film. We also talk about Williams as the definitive Reichardt actor, Dern’s comic subtlety in the film, and parallel universes for the Oscar ceremony envelope snafu.

Topics also include Lucy, Michelle Pfeiffer, and Reichardt as a purveyor of care.