302 – Sliding Doors (with Bobby Finger)

We’re talking about Gwyneth Paltrow’s red hot 1998 this week and who better to join us than author and Who? Weekly co-host Bobby Finger?! With a slew of movies to aid her ascendancy, Gwyneth Paltrow wasn’t having a moment in 1998, she was the moment. It all kicked off with the Sundance debut of romcom Sliding Doors, a film that cast Paltrow as a woman whose fate is determined by whether or not she makes the subway. Showing us both what happens if she does or doesn’t make that train, the film made Paltrow a buzzy figure, but itself was usurped as an awards vehicle by Shakespeare in Love.

This week, we talk about the concept of having “a Sliding Doors moment” and how the film is much wilder than we remembered it. We also talk about Bobby’s new book Four Squares, Paltrow’s Oscar season SNL hosting duties, and the film introducing us all to “Thank You” by Dido.

Topics also include video rental store wall real estate, Miramar, and the formative vibes of Richard Curtis.

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301 – Bernie

our old friend Kevin O’Keeffe and Texas native for a very Texas movie. Debuting in 2011 but arriving in theaters, Richard Linklater’s Bernie accounts a real-life Texan wink wink bachelor Bernie Tiede (played by Jack Black), beloved by the church ladies and local community. However, he is taken in by the town villain Margie (Shirley MacLaine) and ends up convicted for her murder, but not necessarily in the court of public opinion. Though the film was recognized as comedy (especially for Black’s delicate performance), its awards history was largely left as a footnote to the McConaissance.

This episode, we talk about the different vibes of Texas cities and the film’s spectacular ensemble of real-life witnesses. We also talk about Linklater’s outsider status to the Hollywood establishment, Black’s preceding failures, and reporter Skip Hollandsworth.

Topics also include “one of them CMT girls,” Linklater’s upcoming Merrily We Roll Along, and 2012 Best Actor.

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300 – Collateral Beauty

We’ve hit another year of the podcast, arriving at our milestone 300th episode! No better way to celebrate that by finally revisiting one of the past decades most notorious bombs, 2016’s Collateral Beauty. Starring Will Smith as a grieving father, this all-star cast includes Edward Norton, Michael Peña, and Kate Winslet as his three friend who devise a plan to… oust Smith from their advertising firm by… hiring three struggling actors (Helen Mirren, Keira Knightley, and Jacob Latimore) to… portray the concepts of Death, Love, and Time that he has been writing letters to, and make him appear mentally unstable. Yeah, this one goes some places!

This episode, we talk about how the film’s imbalance with magical realism makes it more deranged. We also talk about Smith’s Oscar-chasing dramatic roles pre-slap, Ann Dowd as a felony committing private investigator, and the previous talent attached to this buzzy but ill-begotten project.

Topics also include Winslet joining our 6 Timers Club, Rogue One, and our Best Of ballots for the last year of the show!

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299 – The Matrix Resurrections

This week’s film has Joe and Chris on opposite sides of a divisive reception. The Matrix not only revolutionized genre filmmaking in 1999, but it resulted in a resounding Oscar success. Reception to its first two sequels in 2003 was decidedly unappreciative, but the franchise has received some critical reassessment in the two decades since. Enter 2021’s The Matrix Resurrections, a COVID-delayed and incredibly meta revisiting of The Wachowski’s science fiction world, this time with only Lana Wachowski at the helm. The last of Warner Bros.’ films to be released simultaneously in theaters and online during the pandemic, Resurrections nearly cracked craft categories, but its timing proved unfortunate.

This episode, we talk about Oscars relationship to awarding franchises and overlooking later installments. We also talk about our opposing points of view on the film, how the film incorporates new cast members as stand-ins for the original lineup, and the film’s bold meta elements.

Topics also include the late 2021 box office, gay villainy, and doomscrolling.

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298 – A Perfect World

Early in the 1990s, two westerns emerged as Best Picture winners when the genre was first thought dead: Kevin Costner’s Dances with Wolves and Clint Eastwood’s Unforgiven. In 1993, those heralded actor-directors would unite for A Perfect World, casting Costner as an escaped convict who takes a small boy hostage and teaches him about masculinity, with Eastwood as the lawman in pursuit while also taking the directing reigns. That pedigree missed the Academy on this round, however, as the film’s downer telling was a poor fit to the holiday season to which it was launched.

This episode, we talk about the early poor reception for Costner’s new saga Horizon and our differing opinions on this film’s approach to masculinity. We also talk about Eastwood’s output in the 1990s, Laura Dern’s underserved role as a criminologist, and how the film disappointed for denying audiences an onscreen showdown between its male stars.

Topics also include Schindler’s List as the 1993 undeniable frontrunner, Costner’s sex appeal, and the Cahiers du Cinema.

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