Mailbág: Goodbye 2022

We are bidding adieu to 2022 with our annual mailbag episode!! We dive into a feast of listener questions, kicked off first with a mini 20th anniversary celebration for The Hours and THOB-adjacent questions about theme parks, Drag Race, and the Emmys. We unpack the current Oscar race, including Cate Blanchett’s default status as the performance of the year, the current Best Director and Animated Feature races, and performances we loved in movies we didn’t. Topics also include performers most likely to never win despite multiple nominations, Nora Ephron’s Oscar nominations, our favorite THR Actress roundtables, the 1996 Best Actress race almost crashed by Madonna, and This Had Figure Skating Buzz.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil

224 – The Man in the Iron Mask

As Titanic continued its months-long reign at the box office, its closest challenger (before Lost in Space would dethrone it, that is) at the multiplex starred none other than one of its star-crossed lovers. Yes, Leonardo DiCaprio owned the box office in the weeks ahead of Titanic’s Best Picture win, pulling double double duty as evil King Louis XIV and his dungeon-cast identical twin in The Man in the Iron Mask. The directorial debut of Braveheart’s Oscar-nominated screenwriter Randall Wallace, the film adapted Alexandre Dumas’ novel and assembled an awards friendly ensemble for its musketeers: Jeremy Irons, Gerard Depardieu, John Malkovich, and (the somehow still un-nominated) Gabriel Byrne.

Poor reviews plagued the film on release, but DiCaprio’s appeal turned the film into a box office success. This episode, we talk about DiCaprio’s no-show Oscar attendance after being snubbed for Titanic and his career in the immediate years that followed. We also discuss Wallace’s dubious filmography, Titanic’s other box office challengers, and DiCaprio in a Baby Bjorn.

Topics also include Bryan Adams, COVID Pinocchio movies, and this year’s AARP Movies for Grownups nominees.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil

223 – We Bought A Zoo

After the notorious failure of Elizabethtown, Cameron Crowe took a few years off and attempted to rebound with a warm-hearted family film, 2011’s We Bought A Zoo. The film starred Matt Damon in the very loose true story of a father struggling to raise his two children in the wake of his wife’s death, and finds the solution to their problems in a local zoo listed for sale with a few loyal animal wranglers (including contrived love interest Scarlett Johansson) still tied to the property. Though the film became a modest hit, its punchline title and feather-weight tone was not taken seriously by critics or awards bodies in a season filled with other stories filled with children and grief.

This episode, Matt Damon joins Meryl Streep as the only performers in our Ten Timers Club. We also discuss the varying degrees of failure in late stage Crowe films, Crowe’s AARP Movies for Grownups Best Director nomination against heavy hitters, and 2011′s many Oscar contenders featuring children.

Topics also include Diane Warren finally having her Oscar, the fake We Bought A Zoo Twitter account, and Content Creator Kits.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil

222 – Away We Go

After winning Best Picture and Best Director for his zeitgeist-seizing debut feature American Beauty, Sam Mendes instantly became a director who generate awards chatter no matter the project. In 2009, he took a noticeable tonal downshift with Away We Go, a minor key comedy about a young pregnant couple on a road trip to decide where they want to grow their roots. Despite praise for Maya Rudolph’s performance as a soon-to-be mother still grieving the untimely death of her parents and John Krasinski opposite her as her jokester partner, the film didn’t succeed as summer counter-programming and mostly forgotten in the season to come.

This episode, we talk about the harsh reviews that found the film more judgmental than reflective and Rudolph’s understated and absorbing performance. We also talk about Alexi Murdoch’s soundtrack, possibly semi-autobiographical screenwriter marrieds Dave Eggers and Vendela Vida, and the film’s bursting ensemble of fantastic character actors from Melanie Lynskey, Allison Janney, and Maggie Gyllenhaal.

Topics also include this year’s New York Film Critics Circle award winners, Mendes’ pivot to Bond, and the lure of Montreal. Don’t forget to get submissions in for our upcoming mailbag episode!

Follow Us on Twitter!
@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil