February 2019 – This Had Oscar Buzz

034 – Riding in Cars With Boys (with Bowen Yang)

Penny Marshall’s passing last year reminded us of how unfortunately she never got her due as a respected director. Never was that more clear than the critical drubbing that was met with 2001′s Riding in Cars With Boys. On paper this one looked to capitalize on Drew Barrymore’s post Charlie’s Angels success and Penny’s previous history of missing out on directing nominations for respected films – but the immediate cultural fallout from 9/11 did not meet this film kindly.

This week, writer for Saturday Night Live and cohost of Las Culturistas Bowen Yang joins us to discuss Penny’s legacy and how Riding in Cars With Boys is underrated canon. We look at Drew Barrymore’s second coming (including her brilliant opening performance for Scream), cherish Brittany Murphy’s comedic gifts, and stolen glances with Lucy Liu. And we briefly return to that most formative of Oscar years when Titanic reigned supreme.

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033 – Rent

Once intended to be adapted for the screen by Spike Lee, the Pulitzer-winning musical Rent made its leap to the big screen in 2005 amid impossible expectations. Having helped usher in the modern era of Broadway blockbusters, this one had to live up to the dreams of its massive fanbase but also the shadow cast over all movie musicals in the short years that followed Chicago.

But it ultimately satisfied few, thanks to some key mistakes, starting with the mismatched director Chris Columbus and the recasting of most of the original Broadway leads. This week, we look back at the Oscar success of the decade’s musicals, spend some time lamenting the Crash Best Picture win, and unpack all of the film’s “I’m Not A Girl, Not Yet A Woman” issues.

And, oh yeah, we brace for the coming impact of Tom Hooper’s Cats.

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032 – Ricki and the Flash

After a string of August (yes, early buzzed) hits, Meryl Streep collaborated with two Oscar-winning names that sent Oscar obsessives to get lost in their rock and roll: director Jonathan Demme and screenwriter Diablo Cody. 2015′s Ricki and the Flash didn’t set the box office on fire and a very competitive Best Actress year possibly kept it out of the conversation, but that doesn’t mean the film doesn’t reveal why we once had such high hopes for it. The film isn’t as much of a harmonious fit as we originally expected for this trio, but they do give us something uplifting that deserved more of a shot than Oscar gave it.

This week we look at the gifts of Diablo Cody, Ricki’s parallels to his recent (foolishly underloved by Oscar) masterpiece Rachel Getting Married, and the major flub of 2015′s Best Original Song nominees and eventual winner “The Writing’s On The Wall”. Just as Ricki gives and takes with her family, we rewrite history to take some of Meryl’s Oscar nominations away to give them to some of her underrated performances.

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031 – How to Make an American Quilt

Coming off of two successive Oscar nominations, Winona Ryder led an immaculate female ensemble for Jocelyn Moorhouse’s How to Make an American Quilt. But instead of furthering Ryder’s mounting Oscar narrative, the film wound up as a surprise SAG Ensemble nominee – and, as Joe and Chris argue, a welcome one. This week, we take a look back at SAG Ensemble’s history, including most and least favorite nominees that didn’t translate to Best Picture nominations.

The film itself is a (however delightful) mixed bag of infidelity narratives that don’t always serve a top notch ensemble of Ellen Burstyn, Anne Bancroft, Kate Nelligan, Alfre Woodard, Lois Smith, 90s mega hottie Johnathon Schaech – and yep, even Maya Angelou. It may be too many plot threads for a 60-Second Plot Description, but also for one modest movie as well. Topics also include underrated Snatch Game performances, SAG’s silly title card rule for its Ensemble prize, and the reason the MTV Movie Awards should exist: the Best Kiss category.

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