Gwyneth Paltrow – This Had Oscar Buzz

248 – Mrs. Parker and the Vicious Circle (with Jourdain Searles!)

We are returning to the work of Jennifer Jason Leigh this week, and Jourdain Searles is joining us once again with an underrated and underseen gem. Mrs. Parker and the Vicious Circle takes on the life of indelible writer Dorothy Parker, capturing her days with the insular Algonquin Circle and her later dissolution with the group, all with Jennifer Jason Leigh as the noted wit. Launched at Cannes, the film was celebrated for her performance even with a limited audience, including Golden Globe and Independent Spirit nominations for Best Actress. But even in a famously uncompetitive Best Actress lineup, Leigh was left out.

This episode, we talk about Leigh’s several close calls for a nomination in the 1990s and our feelings about the nomination that she eventually received for The Hateful Eight. We also talk about Pulp Fiction‘s domination on the independent film scene, the Cannes Film Festival, and the influence of producer Robert Altman.

Topics also include writer/director Alan Rudolph’s filmography, the film’s massive (and nepotism baby-inflected) ensemble, and the person-not-company Condé Nast.

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206 – Infamous

Before Bennett Miller’s Capote even arrived and made a steamroll Best Actor winner out of Philip Seymour Hoffman, there was an entire other Truman Capote biopic in the can. Charting the same portion of the legendary and controversial writer’s life as he wrote In Cold Blood, 2006′s Infamous cast Toby Jones as Capote along with a cast of more recognizable faces than the previous year’s version, including Sandra Bullock as Capote’s friend and confidante Harper Lee and new James Bond Daniel Craig. Despite Capote having played some of the very same film festivals, Infamous was welcomed into the fall festival season anyway. But this film’s emphasis on the high society gossip that was integral to the author’s persona wasn’t enough to distinguish this film from what came before, quickly dissolving from the season.

This episode, we unpack the unavoidable comparison’s between this biopic depiction and Miller’s film. We also have our first double Six Timers Club between Infamous supporting players Sigourney Weaver and Gwyneth Paltrow, and discuss Paltrow’s role as Not Peggy Lee, and Warner Independent’s other awards hopeful in 2006: For Your Consideration.

Topics also include Raja’s Diana Vreeland Snatch Game performance, “James Blonde”, and Parker Posey in The Staircase.

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144 – Possession (Focus Features – Part Two)

Our Focus Features miniseries continues with the first official Focus release, 2002′s Possession. Adapted by Neil LaBute from A.S. Byatt’s celebrated novel, the film follows Gwyneth Paltrow and Aaron Eckhart as poetry scholars who fall in love while unearthing a secret love affair between two Victorian poets, played by Jennifer Ehle and Jeremy Northam. The adaptation had a long development process that drew such prestigious names as David Henry Hwang and Sydney Pollack, but arrived to theatres with a whimper of a release due to mild reviews while Focus’ other titles immediately emerged as their bigger Oscar opportunities.

This episode, we look back at Focus’ successful inaugural Oscar year (namely with Far From Heaven and The Pianist) and the history of Paltrow’s British dialect. We also look back at Ehle’s brilliant but under-celebrated career, the final days of USA Films, and what films we think would’ve made it in a Best Picture 10.

Topics also include the film’s perfect sweaters, 2002 cinematic bisexuals walking into bodies of water, and Ehle reading Pride and Prejudice on Instagram.

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113 – Running With Scissors

Annette Bening remains one of our most beloved actresses without an Oscar, and one of the most notorious (assumed) second place finalists after losing to Hilary Swank twice. This week, we’re looking at her turn as a mentally ill poet and mother in 2006′s Running With Scissors, adapted from the famously outrageous memoir by Augusten Burroughs. Bening received a Golden Globe nomination, but a stacked Best Actress year combined with the film’s poor reception with critics and audiences left her work as an afterthought come nomination morning.

The film was big screen debut of none other than television legend Ryan Murphy. This episode, we unpack the Murphy ethos, from his impact on the television landscape to the mixed reception to some of his work. We also discuss the film’s off-balance mix of comedy and tragedy, Gwyneth Paltrow in Bo Derek braids, and Bening as one of the most iconic smokers in cinema.

Topics also include the age of scrutinized memoirists, an oceanside testimonial from Murphy ex Bill Condon, and the uncanny valley of butt hands.

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099 – Proof

We’re looking to the stage for this week’s episode! After being awarded the Pultizer Prize for Drama, a Tony success, and two years on Broadway, Oscar obsessives looked to the big screen adaptation of Proof to continue its slew of trophies. With Gwyneth Paltrow reprising her role from the London stage (along with that production’s director and Shakespeare in Love helmer, John Madden), this intimate drama on math and madness felt like the surest of bets on paper. But Proof’s release was delayed by a year as Miramax began to fizzle, arriving on screen as an afterthought even in a Best Actress year with fewer contenders.

This week, we look back at recent adaptations of Pulitzer Prize winning plays and what has gotten lost from stage to screen. We also look at how Proof has aged over years of being over-produced, Hope Davis’s era of an expected eventual nomination, and Mary Louise Parker’s Tony win.

Topics also include Anne Heche at stage doors, the God of Carnage puke scene, and next week’s 100th episode!!

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066 – Bounce

This episode, we have another psychotic romance for you with 2000′s Bounce. One of Miramax’s 2000 awards-hopeful misfires (which ultimately led to the rise of Chocolat), the film stars Gwyneth Paltrow and Ben Affleck as two would-be lovers brought together by a plane crash – only she doesn’t know that he’s the one that gave a ticket to his now-dead husband. At the time, the film was sold almost exclusively on the former relationship between the stars and ultimately that was all it got attention for.

Bounce was also somewhat of a downshift in critical affection for writer-director Don Roos after the prickly Indie Spirits favorite The Opposite of Sex. Though this film sparks with some of his sharp dialogue, Bounce suffers from too many plot contrivances to make the love story less queasy. In the end, a heavy hitter year in the lead acting categories easily shut out the two stars out already dealing with backlash after their Oscar wins.

We also take a look back at the fits and restarts of Affleck’s career from the perfect casting of Gone Girl to the almost matinee idol days of Armageddon, discuss the era that was Brunette Gwyneth, and we return to our beloved Blockbuster Entertainment Awards.

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045 – Sylvia (2003 – Part Two)

We continue our month-long look at the 2003 Oscar year with what could be the poster child for bland biopics: Sylvia. Starring Gwyneth Paltrow as poet Sylvia Plath, the film paint-by-numbered its way to box office and critical failure that inappropriately obsessed over the artist’s untimely death rather than the impact of her work. A perfect on-paper prospect thanks to its famous subject and Paltrow’s recent Best Actress win, Sylvia was the 2003 failure that left us gooped.

This week, we take an extended look at 2003′s rather malleable Best Actress race and discuss the earliest predictions that ultimately fell through. We also discuss Focus Features’ slate being dominated by Lost in Translation, why Daniel Craig should never be allowed to play a brunette, and Paltrow’s greatest performance on a movie poster.

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