168 – Never Let Me Go (with Tara Ariano)

This episode, Extra Hot Great co-host Tara Ariano returns to us to talk about another much-requested film, 2010′s Never Let Me Go. An adaptation of Kazuo Ishiguro’s incredibly lauded science fiction novel, the film stars a post-nomination Carey Mulligan opposite Keira Knightley and breakthrough Andrew Garfield as clones raised for the sole purpose of harvesting their organs for the regular people of society. The film was the sophomore feature of Mark Romanek and adapted by Alex Garland, and met a cold to mixed reaction on the festival circuit before quickly exiting theatres and the awards race.

The film still has its ardent fans (including a few of us on mic), but also fell victim to Fox Searchlight’s shifting awards possibilities in its muscular slate of films that year. We look back at Romanek’s reception in comparison to another music video director’s sci-fi-adjacent Oscar film, certain fall festivals going in and out of favor as perceived Oscar launch pads, Rachel Portman’s original score, and Mulligan’s roles between nominations.

Topics also include Andrea Riseborough facial blindness, “Gay or Just Nice to Me”, and Bad Art Friend.

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Tara: @taraariano

121 – About Time (with Katey Rich)

Richard Curtis arrived in the early 90s with his Oscar-nominated screenplay for Four Weddings and A Funeral and immediately cemented a heartwarming brand of romantic British fare. In the 2000s, he leaped to the director’s chair as well, with a streak that ended in this week’s surprise box office bomb: 2013′s About Time. Once again, deputy editor of VanityFair.com and Little Gold Men co-host Katey Rich returns as a guest to discuss the film that stars Domhnall Gleeson as lovelorn time traveler and Rachel McAdams as the object of his affection.

While we are divided on the film’s sometimes uncomfortable mechanics as a love story, About Time reveals itself as a sentimental smell-the-roses family story. But audience and critical disinterest took this one out of its season pretty quickly. This week, we discuss the Richard Curtis ethos, Gleeson’s quite charming screen persona, and the stacked lineup at the 2013 New York Film Festival.

Topics also include McAdams’ career pre and post-Oscar nomination, slight softboy British actor crushes, and the foremost question of our time: “is all lost?”

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Joe: @joereid
Chris: @chrisvfeil
Katey: @kateyrich